Showing posts with label Red One. Show all posts
Showing posts with label Red One. Show all posts

Thursday, 17 June 2010

Film vs Digital - the CAS tests

Will you shoot your next film digitally? Thinking about it?
You need to see a fair comparison of Film vs Digital.

Come to the Camera Assessment Series

Film and Digital Cameras Compared

Produced by the American Society of Cinematographers.
Shot by a group of internationally acclaimed cinematographers

Presented in India by
Cinematographer's Combine

Come and watch, the exact same scenes
shot on

Arri 435

Red One

Arri D-21

Viper
Panavision Genesis
Panasonic HPX3700
Sony F23 and Sony F35 

All presented side by side on the big screen.
As a film print and digital.

Make up your own mind on this Film vs digital debate.

How digital translates to film.
How digital looks compared to film.
How digital looks on film.
Seen side by side with film.


June 26-27, 2010
Imax Wadala

Entry is Rs 1500.
The best 1500 you've ever spent.

Thursday, 5 November 2009

The new Red Epic-X camera



Red, the company that gave the world the Red one camera some years ago, has announced plans for their next model - the Epic-X. Although the Epic-X was announced nearly a year ago, we now have some real specifications.


The Epic-X will be a modular camera so one can customize it for different roles and occasions. it will be able to shoot at up to 5k resolution and at speeds of up to 250 fps at 2k. It will also do a decent HD resolution


There is also a new Red code at higher data rates, a new FLUT Colour science and other features. But all of these are only announced specs and we will see more or less features as they are out.


You can't go out and buy an Epic-X yet. It will be rolled out in 4 'stages'.


In Stage 1, a select group of Red owners will be able to buy an Epic-X for $ 28,000 along with some standard accessories. This will be a 'beta' camera with features that may need working around.
In Stage 2, a more finished camera will be available. This will be based on feedback received from stage 1 owners. So this one will be a 'working model'. 
Stage 3 Epic-X cameras will be made available to Red owners for $ 19,500 and they get to keep their existing Red camera. They can also upgrade their existing Red camera sensor to a new Mysterium sensor for $ 4500 presumably to make it 'sort of' equivalent to a Epic-X.
Stage 3 is when Red owners can return their existing Red one camera and get a Epic-X for $ 10,500.
And Stage 4 is for those who don't have a Red camera, so they simply buy a new Epic-X camera for $ 28,000.


I wonder what happens to Indian Red camera owners. They have bought their Red camera after paying Customs duties of anything between 25 and 40% of the cost. They are never going to get that back. So for Indian Red camera owners it think it has to be Stage 2.


These are all announcements. Things can change till beginning 2010 when these begin to be shipped. As usual with Red "Everything is subject to change. Count on it".

Sunday, 28 September 2008

Canon EOS 5D MkII

Some musings on this trend of still cameras doing high quality high res video.



Canon announced and will ship very soon, a new DSLR. The EOS 5D MkII. This is a DSLR like many before it. It has many more megapixels that the cameras before it. It does higher ISO that cameras before it. Which is normal too.

But what sets it apart is that it can shoot movies at high resolution as well. In fact it can shoot 25fps (maybe even 24fps and 30fps) movies at 1920x1080 pixels. Which is the definition of HD. And which is sufficient for making a film. Even if finally for 35mm movie film.

But Canon was not the first camera maker to make such a camera. Nikon recently released the D90 which too can do HD movies. But 1280x720. And the Nikon uses (old) M-JPEG compression. Compared to H.264 that Canon uses. There's also another model that can do HD movies. The Canon SX1 IS too does HD movies and also at H.264.


Many web sites have described these machines. Some have downloadable results from these cameras. Some have compared the EOS 5D MkII to the Red One and even to the unreleased Red Scarlet. And some have even called this a 'game changer'.

I think this is a bit over the top. The EOS 5D MkII is basically a still camera. And as good as a camera Canon makes. That it can do HD movies is an additional functionality. But it can't challenge a camera made for doing movies.

Some of the limitations of shooting a proper movie with the EOX 5D Mk II as with any other such still camera is lack of some crucial features.

Like.
1. You can't adjust focus while 'rolling'.
2. You can't adjust aperture while 'rolling'.
3. It has a still camera grip which isn't exactly comfortable for filming.
4. You can only shoot a few minutes at a time.
5. The movies are highly compressed H.264.
6. Sound may not be as good and there are no professional inputs.
7. The movies are 1080p30 even at Canon's UK site.

But to be fair, this is a rather economical HD camera. At $ 2700 the price can't be beat. Lenses are super sharp, still camera, 21 megapixel capable lenses, that can rival film camera lenses. Film camera lenses cost more not necessarily because they are better than still camera lenses. There is volume economics to it as well.

Which brings us to the interesting question - why did Nikon and Canon do it? That is, make a still camera that can do high quality movies. And why didn't they just come out with a digital movie camera like the Red, which shoots to hard disk or memory card? Sort of like a successor to the XL-H1?

I'm sure both companies have some good reasons, but one of them could be economics. I don't have exact figures, but at between $2000 to $3000, DSLRs probably sell more numbers than movie making cameras. So the cost of developing, and improving on the quality of, and marketing HD-size movie capable imaging chips - CCD or CMOS - gets spread over much larger numbers.

And, a large body of discerning eyes - still photographers - take stills and contribute with valuable feedback. So the product gets market tested well. Had this feature of shooting HD movies with a full frame chip been provided in a 'handycam type' camcorder, it would have been wasted in shaky vacation movies.

So while I'm not sure about Nikon, but I'm reasonably certain Canon will release a HD or even maybe 4k resolution camera that shoots movies using a imaging chip that's the exact size of the normal 35 mm movie frame. The EOS 5D MKII is just the beginning.

And when that happens, that will be a 'game changer'.

Added 27 Oct 08
Amongst the first movies shot with the EOS 5D MkII which was put up on the net, was taken down as it lead to some really heavy downloading that swamped the host site. The movie is now up at Vincent's blog here.